IPTW 2011, Lancaster, Pennsylvania, August 2-6, 2011
At this one PTN event we had in Delaware was where Glenn started on a rant about the conversion of trees into timbers. His education is in political science but his love is in timber framing. Glenn went on for a good twenty or thirty minutes with a small group of us hangers-on to move back through the steps of how timber frame materials come to the hands of the trades. Glenn claims he does not remember any of this. I believe that he does not remember -- but I certainly do remember as I was a captive of his audience.
I have always been interested in where the materials that we work with in our projects come from, how they get to us, and what are the networks of business and delivery systems that bring them into our environment.
I got in a bit of a controversy when I wrote a letter to the newspaper about our nearby Home Depot possibly closing. I had already seen it wipe out all of the small hardware stores and we would be left with no place to buy anything.
A fellow at a local lumber yard did not like what I had to say and claimed that real contractors don't shop at Home Depot.
Big box stores create controversy for how they push out small and local suppliers. I shot back that I thought I was for real a contractor and on a mahogany and lead-coated copper lined set of box gutters we had built for an historic site in Brooklyn I listed all of the sources of our materials. The project was paid for by a grant from Lowes, and we did buy a few of the materials at Home Depot. The mahogany came from a local lumber yard. The little copper nails we bought off the internet.
We invite all hecklers.
Ken Follett and Glenn James – Got Goop?
Tell us how you got it. Where do our materials that we work with come from? How do we go about procuring them? This is intended as a group discussion and not a presentation. Participants are expected to come with their own examples and questions about where their materials come from as it relates to their trade interest. Glenn James: Will focus on conversion of raw materials into usable building elements. Ken Follett: Will talk about why he likes to shop at WalMart, Home Depot and Lowes and why you can too. The intent of the session is to explore the supply lines that follow back to their sources for the materials that we use in our historic conservation work. If we can't get it then we can't use it, and if we can get it sometimes we wish we did not have to use it. What is your problem?
Ken Follett, Owner, PreCon LogStrat, LLC
Mastic Beach, New York
Ken Follett has been active in the construction and contract business for more than thirty-five years, with specific experience in historic conservation, exterior façade maintenance and waterproofing for the last twenty-five. Projects, primarily in the NYC environment, have included work at the Brick House at Philip Johnson's Glass House (LSA. National Trust), High Bridge (JBC, LSA, TransSystems), Carnegie Hall, Grand Central Terminal (Bovis/LaSalle Partners), West Point Military Academy (EYP), City Center (BCA), New Amsterdam Theater (Tishman/Disney), Horace Greeley Barn, Chrysler Building (TT), General Motors Building, Cable Building, Puck Building, Huntington Hilton (Arnold Associates), Neiman Marcus (White Plains, NY), Edison Building #11 relocation (Edison Foundation/NPS, BBB), Edison Memorial Tower (FMG), and the award winning restoration of the Barnes & Noble headquarters at NYC Union Square (LSA, project received awards from Municipal Art Society, Victorian Society, and NYS Parks –SHPO 1996). As former executive vice-president and partner (1987-2002) of Apple Restoration & Waterproofing, Inc., a specialty restoration-contracting firm, Mr. Follett was actively involved in the varied tasks of marketing, estimating, business development and project management on small and large historic preservation and exterior maintenance related projects. Varied exterior envelope and heritage conservation projects ranged from $20,000 to $6M in scope.
Glenn James, Owner, Craftwright, Inc.
Glenn Allen James has been a woodworker since childhood and in business since 1983. After graduating college and discovering his passion for historic building techniques he established Craftwright and began producing custom-handcrafted timber frame structures, including barns, homes, chapels, museums and home additions. Craftwright also has restored many antique and historic timber frames structures throughout the Mid-Atlantic.